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Postscript
A Publication of the Philological Association of the Carolinas
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Postscript 34.1
Catherine England, “Moral Appetites in Elizabeth Gaskell’s Wives and Daughters”
Fumie Kato, “Integrating a Debate Activity into an Intermediate Japanese Class: A Practice Report Through Learner’s Reflection.”
Margaret Williams, “Chalk to Me: The Search for Useful Knowledge in a Local, Rhetorical Ecology”
Timothy Ajani, “Syntax and People: How Amos Tutuola’s English Was Shaped by His People”
Themis Kaniklidou, “Storied Ironies of the Wall”
Past Issues
Postscript 31-40
Postscript 31.1
Postscript 32.1
Alison Smith, “Buñuel’s Improbable Cast of Female Characters in The Milky Way”
Postscript 33.1
Eric Hyman, “The Importance of Being Lucio”
Jeremy Patterson, “The History of Trauma and the Trauma of History in M. NourbeSe Philip’s Zong! and Natasha Tretheway’s Native Guard.”
José Bautista, “The Bigoted Education of a Dominican Young Man or the Narrator-Protagonist of El masacre se pasa a pie as Dilettante.”
Joshua Taylor, “America’s Gun Control Failure: Encouraging a Deliberative Alternative”
Laurence Machet, “‘An absolute and perpetual power’?: John Lawson’s Travel Narrative and Issues of Sovereignty in Eighteenth-Century Carolina”
Mason A. Jones, “Agony and Abandonment: The Oppression of Children in The Brothers Karamazov by Fyodor Dostoevsky”
Postscript 21-30
Postscript 21.1
Editor’s Introduction
Paul A. Youngman, “Theodor Fontane’s _ahermaliger Zug_: Myth, Enlightenment and the Train in _Cecile_ and _Effi Briest_
Melissa Birkhofer, “Gender Relations and the Rural Hierarchy in Bobbie Ann Mason’s _Feather Crowns_”
Christine Anton, “In Contempt of the Court-Friedrich Schiller’s Take on the Legal System in Eighteenth-CenturyGermany”
Bethany Perkins, “Binx Bolling and the Compson Brothers: Navigating Kierkegaardian Spheres of Existence”
Mary H. McNulty, “Postmodernism in Children’s Books”
Postscript 22.1
Editors’ Introduction
David McCracken, “Francis Phelan as a Postmodern Odysseus in William Kennedy’s _Ironweed_”
Lois Rauch Gibson, “_A SeparatePeace_: Four Decades of Critical Response”
Ronald J. Nelson, “Inconclusive Closure in Carol Shields’ _The OrangeFish_”
Lorena Russell, “Hope and Despair in _The English Patient_”
Ana-Isabel Aliaga-Buchenau, “Friedrich Gerstacker Writes, “‘Let’s go to America:’ German Immigration and Colonial Fantasies in the Nineteenth Century”
Allison Cooper, “Breaking the Seven-Hundred Year Silence: Yosano Akiko Speaks”
Ann González, “Who is Mambru and What is He Doing in Kindergarten?”
Krystal Blanton, Kim Bailey, and Boyd Davis, “Corpora and Concordancing: Benefits to Classroom Instruction”
Christopher D. Johnson, “Bad Science, Good Rhetoric, and the End of the World”
Postscript 23.1
Editors’ Introduction
Peter Whelan, “Samson, Delilah, and Yahweh: Character and Prejudice”
Richard Vela, “The Merchants of Venice: The Importance of Context in Film Versions of the Play”
Katie Rose Guest, “‘Embrace the Prudent Alliance’: William Byrd of Westover and Intermarriage between Europeans and Native Americans”
Andrew Brooks, “The Tyrant Motif and Nosferatu: 1922, 1979, and 2000”
Brian Chandler, “Archive and Origins in _Los perros del paraiso_”
Kirsten A. Krick-Aigner, “Girls Coming of Age During World War Two and the Postwar in Austria: Novels by Christine Nostlinger and Renate Welsh”
Ellen Arnold, “Preying on the Working Mother: Michael Crichton’s Real Villain”
Marsha Taylor, “Coyote Beautiful: The Joy of Sisterhood in Barbara Kingsolver’s _Prodigal Summer_”
Lorena Russell, “Aesthetes, Ogees and “The Lady”: Queer Complications in _The Line of Beauty_”
Postscript 24.1
Editors’ Introduction
David Cross, “Ontological Uncertainty in Three Stories by Jorge Luis Borges”
Josephine A. Koster, “‘I have traveled a good deal in Norfolk’: Reconsidering Women’s Literacy in Late Medieval England”
Amanda Hiner, “Seventeenth-Century Women’s Educational Theorists and the Problem of Publicity”
Rachael Williams, “The Imaginary South of Country-Western Music”
Pamela Richardson, “Boys, Girls, and Trains: Ambiguous Gender Roles in E. Nesbit’s _The Railway Children_”
Postscript 25.1
Editors’ Introduction
Renee L. Greenan, “Always ‘Poundin’ a Kid’: Abusive Realism in Stephen Crane’s _Maggie_”
David Cross, “A Critique of Arabic Literature and Society: Naguib Mahfouz’s _Arabian Nights and Days_”
Eileen Crowe, “Re-Valuing the Personal Narrative: Developing Metaphor and Critical Thinking in the Composition Classroom”
Simone Zahler, “The Four Conceptions of the Simplon Road in William Wordsworth’s _The Prelude_”
Merritt Moseley, “Pounds, Shillings, and Pence: Currency Values and Reading English Literature, 1750-1998”
Elisa Pollack, “The Indo-European Roots of the German Verb SEIN ‘to be’”
Gary Ettari, “‘Ut Pictura Poesis’: Jonson and the Painted Subject”
Postscript 26.1
Postscript 27.1
Kirk Boyle, “Ideology at the End of Time.”
Postscript 28.1
Postscript 29.1
Postscript 30.1
Postscript 11-20
Postscript 11.1
Postscript 12.1
Postscript 13.1
Postscript 14.1
Postscript 15.1
Postscript 16.1
Postscript 17.1
Postscript 18.1
Editor’s Introduction
Margaret J. Oakes, “”For reason, put to her best extension, / Almost meets faith”: The Flawed Dialectical Structure in Donne’s Sonnets”
Lynn Hanson, “Defining the Heroic: Characterization in Alice Childress’ _Trouble in Mind_”
Gwen W. Macallister, “”You must zee it all the time”: Making Words into Windows in _A Hazard of New Fortunes_”
Matthew W. Morris, “Jean d’Arras and Couldrette: Political Expediency and Censorship in Fifteenth-Century France”
David McCracken, “”A Call to the Blood”: E.M. Forster’s _A Room with a View_ as a Precursor to D.H. Lawrence’s _Lady Chatterley’s Lover_”
Merritt Moseley, “Julian Barnes and the Displacement of Adultery”
Postscript 19.1
Postscript 20.1
Editor’s Introduction
Elizabeth A. Zahnd, “The Lying Game: Falsehoods and Fabrications in _La vida breve_”
Jim Haughey, “”Up to Our Necks in Fenian Blood”: Ulster Loyalism, its Myths and the Somme in Christina Reid’s _My Name, Shall I Tell YouMy Name?_”
Ana-Isabel Aliaga-Buchenau, “Reading as the Path to Revolt? Emile Zola’s _Germinal_”
Nancy Barendse, “Connie Turns Fifty: “Where Are You Going, Where Have You Been?” as Postmodern Experience”
Tony Perrello, “”These moors are changeable”: Using Film to Teach Racial Politics and Othello”
Postscript, 1-10
Postscript 1.1
Postscript 1.1 Preface
Elgin W. Mellown, “The Poems of Edwin Muir and Their Relationship to Modernism”
Louis A. MacKenzie, “La Couche erotique in Racine’s ‘Britannicus'”
Patrick Scott, “Genre, Perspective and Opinion in the Study of Victorian Ideology: The Case of Elizabeth Missing Sewell”
Robert Ross, “‘Bartleby the Scrivener’: An American Cousin”
Meilli Steele, “Sartre and the Dramatic Character: Theory and Practice”
Jeanne J. Smoot, “‘Young Goodman Brown’ –Puritan Don Juan: Faith in Tirso and Hawthorne”
Gilbert Allen, “Wilfred Owen and Edward Thomas: Sixty Years After”
Gene M. Moore, “The World of Words in Joyce’s _Portrait_ and Musil’s _Turles_”
Mark S. Shearer, “The Cry of Birth: King Lear’s Hysterica Passio”
Howard M. Fraser, “The Uses of Enchantment in Modernist Fantasy Fiction”
Douglas R. Hilt, “August Wilhem Schlegel’s Concept of Calderon as a Romantic Playwright”
Kenneth Watson, “The Center of Coleridge’s Shakespeare Criticism”
Donna E. Landry, “Genre and Revision: The Example of Welty’s __The Optimist’s Daughter__”
Martha A. Langley, “__Tess of the d’Urbervilles__ and the __Hippolytus__”
Mary Jane Scott, “James Thomson and Gavin Douglas: Some Continuities in Scottish Augustan Verse”
Postscript 2.1
Postscript 2.1 Preface
Andrea Sanders, “‘Mirrors Arranged in a Circle Around One Center’: The O’Connor Mystery Cycle”
Fred Chappell, “What Did Adrian Leverkuhn Create?”
Jeanée P. Sacken, “George Sand, Kate Chopin, Margaret Atwood, and the Redefinition of Self”
Elizabeth J. Bellamy, “Androgyny and the Epic Quest: The Female Warrior in Ariosto and Spenser”
Carolyne Ellison Stringfellow, “Shakespeare and Dryden in the Nineteenth Century: John Philip Kemble’s Pastiche of ‘Antony and Cleopatra'”
R. V. Young, “‘To His Coy Mistress’ as Characterization”
Carol Sherman, “The Deferral of Textual Authority in __La Relhdeuse__”
G.M. Maclean, “So What _Does_ Thomas Gray’s ‘Progress of Poesy’ Have To Do with Progress?”
Patrick Scott, “The Philological Generation Reconsidered: College English Teaching at South Carolina, 1880-1920”
Joseph F. Renahan, “The Imperial Intellect and the Select Minority: Ideas of Newman and Ortega y Gasset on the Mission of the University”
Deborah Baker Wyrick, “Hank Morgan: Linguistic Entrepreneur”
John Lamiman, “‘Walking in Breath and Air’: Orality and the Presence of the Past in the Fiction of William Faulkner”
Kieran Quinlan, “Their Language, So Familiar And So Foreign: The English Tongue And Its Irish Voice”
Postscript 3.1
Postscript 3.1 Preface
Ina Rae Hark, “A Frontier Closes in Brooklyn: ‘Death of a Salesman’ and the Turner Thesis”
Mary Hurley Moran, “The Fiction of Margaret Atwood: A Critique of Popular Culture”
Gary Ljungquist, “Modalities Of Silence In Frisch And Puig”
Patrick Brantlinger, “Raymond Williams: From ‘Culture’ to ‘Community'”
Thomas Deveny, “Transformation of a Classical Mythos: The Role of Hymen in the Spanish Renaissance Epithalamium”
James Thompson, “The Art of Courtship or Business in a Bad Market”
Caroline Zilboorg, “The Fact and Idea of Slave Revolt: A Vehicle for Exploring Self and Other in Twentieth-Century Novels”
Elizabeth Langland, “Promises Not Kept: Sexual Infidelity and the Vengeful George Eliot”
Denise N. Baker, “Chaucer’s ‘Clerk’s Tale’ and the Monstrous Critics”
Earl J. Wilcox, “The Philological Association of the Carolinas: 1977-1985”
Postscript 4.1
Postscript 5.1
Postscript 6.1
Postscript 7.1
Postscript 8.1
Postscript 9.1
Postscript 10.1
Submission Information
Postscript 17.1
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